About Me

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Indiana, United States
I have done pictures since I can remember. I took all the art classes in junior high and high school I could and naturally became an art major in college. I graduated with a BFA in art and writing and marry the two by writing and illustrating children's books.
Showing posts with label hire an illustrator. Show all posts
Showing posts with label hire an illustrator. Show all posts

Friday, June 12, 2009

Rikki Panel 1 Finished


While developing my portfolio for children's illustration, I have drawn Rikki Tikki Tavi.

This is the first of three panels I plan to do. I haven't drawn in charcoal for many years and decided to get back into it to create a noir atmosphere and because it's so quick to get coverage in large areas, and easy to build up dark darks.
I haven't just drawn a full picture in a long time. I normally draw enough for a template for my digital work. As I drew, I relearned a lot of things. Trying to cast highlights back into shadow areas, which means to leave areas light or white. Going back and erasing out to get those highlights, or drawing back in with white pencil is just not as clean. Also, I had to get used to using one of those paper smudging stumps again in order to blend small detail areas. I think I was in junior high last time I fiddled with one of those.
One thing I'd like to overcome is the amount of sparkly white texture you can see throughout the dark areas. This was done on cold press 300 illustration board, medium texture, and I wonder if I went with the lighter texture, if it would still grab the charcoal as well.
The next pieces in this series will be Rikki first encountering the cobra Nag, in the garden under the tailor-bird's nest, and the deadly fight scene in the bathroom. We'll see.
The next posting should be the color piece I'm nearly done with for Old King Cole.

Tuesday, April 28, 2009

Illustration Underdrawing of Old King Cole at Final Charcoal Stage

When last we left OKC, he was just line work. I think after today, I'll say the black and white work is done.
   Next, I'll apply oil tints. The grasshopper and 2 crickets are not very visible at this point, but I'll bring them back out in opaque color. The background colonnade will drop way back after it gets it oil washes.
   Now, for some candlelight.

Wednesday, April 22, 2009

Java Programming and Duke


What does an illustrator know about Java Programming? Only that "Duke" this teardrop shaped dude is their mascot. And, I've done 5—I think—illustrations for Java book covers. Here are 5 sketches I did for this cover and the final. Here's the book cover. The art right now is from a previous title.

Wednesday, January 7, 2009

Attending the Highlights Illustrators' Party

  I was very pleased to be invited to Highlights Illustrators' Party the first part of Oct. '08. Highlights owns Boyds Mills Press and Front Street, my imprint is part of that.
  So, I ventured off to Honesdale, PA via NYC. Yes. They had a van picking up illustrators there, so I opted for a little tour time in the city before being driven out for the big part-ay.
  Let me say, the Highlights people treated us like Kings and Queens. I was very taken with their hospitality and generosity.
  This was a full-weekend event beginning early Fri. evening at the Founders' House with a barbecue under a tent. We moved on to more eating with great breakfasts and lunches and a pig roast. There was even a square dance, a costume party, (theme: The Enchanted Forest--here I am as an Ent with a hobbit riding in my branches) and an art show of our work. All this against the backdrop of John Sandford's artwork from The Terrible Hodag and the Animal Catchers.
  But most important, I got to meet all these great illustrators from the magazine to the other imprints such as Calkin's Creek, Highlights and BMP. We had a fantastic presentation by Leonard Marcus about the history of the Caldecott which led to a great Q/A and discussion. Following, we all laid out our portfolios and took a look around. Wow! is all I can say. A bit humbling.
  I met Floyd Cooper and lunched with him, talking about school visits and contracts.
  I also finally met my fantastic art director, Helen Robinson, face to face. I told everyone she's a great art director because she let me do what I wanted. But really, she's very secure in her own creativity and role as not to need to thumbprint the books she's working on. I've found that to be the case in the marketing/design field where I've encountered plenty of that.
  A near meeting with my publisher/editor, Stephen Roxburgh--but we had to turn the car back in order to make my ride back to the airport. A big disappointment.
  But, otherwise, a great time was had by all.  ;-)